上世纪初期，随着科学技术的发展，欧美社会纷纷响应工业革命的号召，已经步入了城市化、工业化的新阶段。现代化的进程是不可阻挡的新趋势，在现代化的进程中，意大利的发展远远落后于起亚欧美国家。意大利的知识阶层对社会现状表现出强烈的不满，他们以昂扬的姿态歌颂科学技术，一方面否定过去、开拓未来，一方面又表现了强烈的革命创新精神。未来主义在意大利的发端就是在这样社会变革、现代科技飞速发展与文化大讨论的激荡下产生的。1909 年意大利诗人、文学家马里内蒂(Filippo Marinetti)于法国费加罗报发表《未来主义宣言》宣告了意大利未来主义的诞生，这也标志着未来主义作为一次声势浩大的文艺思潮登上世界文化舞台。本文主要以艺术领域的未来主义(未来主义的绘画和雕塑)为研究对象，首先简述意大利未来主义的发起，艺术特征、社会历史成因以及各个阶段的发展状况；再从理论上分析未来主义的精神和精髓所在，即——动力美学，将着重阐述柏格森哲学思想与未来主义主义理论和时间最为相关的并相呼应的概念与问题；未来主义艺术运动声势浩大，在第一次世界大战后逐渐式微，有批评家、美术史家多将未来主义和法西斯主义和虚无主义联系在一起，并对其批判，否定其价值。事实上，未来主义的影响和价值也是有目共睹的，文章的最后一部分，将未来主义视作一个社会和文化的坐标，讨论它的历史意义及其在当代艺术实践中的价值所在。

The early twentieth century, European and American society has rendered face of urbanization, industrialization, mechanization, in this capitalist modernization process, the development of Italy's economic lags far behind European countries .Italian culture and art are not comparable the with United Kingdom, France, the United States.The intelligentsia of Italian discontent the social status quo and order. Which revel in the new achievements in science and technology. They reject to keep looking back on history but opening up the future,full with innovative spirit of the revolution. Futurism in Italy, are originated in such background which with huge social change and the rapid development of modern science and technology. The founder of Futurism and its most influential personality was the Italian writer Filippo Tommaso Marinetti. Marinetti launched the movement in his Futurist Manifesto, which he published for the first time on 5 February 1909 in La gazzetta dell'Emilia, an article then reproduced in the French daily newspaper Le Figaro on 20 February 1909. He was soon joined by the painters Umberto Boccioni, Carlo Carrà, Giacomo Balla, Gino Severini and the composer Luigi Russolo. Futurism was an artistic and social movement that originated in Italy in the early 20th century. It was largely an Italian phenomenon, though there were parallel movements in Russia, England and elsewhere. The Futurists practiced in every medium of art, including painting, sculpture,ceramics, graphic design, industrial design,interior design, theatre, film, fashion,textiles, literature, music, architecture and even gastronomy.which also marks the futuristic as a massive literary thought and forever in the world's cultural. This research subjects mainly talk about Italian Futurism art (including painting and sculpture futuristic). On the basis of possession the existing information in English and the original data, Firsty, overview of the Italian Futurism art movement initiated background, the various stages of developments, artistic features,...etc. The second, theoretically analyzed the spirit and the essence of Italian Futurism art, Elaborate the aesthetic concept of Italian Futurism art- dynamic aesthetics. This research will focuses on the concepts and issues which is most relevant with Bergson’s philosophy. I have attempted an interpretation of Futurism artist's art which is based on the assumption that Henri Bergson's philosophy was of greater importance to Futurism artist than has generally been acknowledged, or at any rate,discussed.Futurism art movement is complex and its significance is obvious,The last part of this article will be considered as a futuristic social and cultural coordinates, discuss its historical significance and value in contemporary art practice lies.